Künstlerische Folgen einer Steinigung. Franz Xaver Wagenschön und seine Vorbilder (Curator's Choice, Nr. 5, 2023)

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Title:: Künstlerische Folgen einer Steinigung. Franz Xaver Wagenschön und seine Vorbilder (Curator's Choice, Nr. 5, 2023)

Artist:: Wagenschön, Franz Xaver

Author:: Lechner, Georg

Keyword:: Ölskizze; Niederösterreich; Carlo Innocenzo Carlone; Kirchberg am Wagram; Spätbarock; Martyrium; Wagenschön

Issuing body:: Österreichische Galerie Belvedere

Physical location:: Bibliothek des Belvedere, Wien

Place of publication:: Wien

Document type:: Article

Collection:: Curator's Choice

Year of publication:: 2023

Credits:: Österreichische Galerie Belvedere / Autor*innen

Additional information:: Dieser Text wurde unter der Lizenz „Creative Commons Namensnennung 4.0 International“ (CC BY 4.0) veröffentlicht. Es ist Ihnen gestattet, das Werk zu vervielfältigen, zu verbreiten und öffentlich zugänglich zu machen sowie Abwandlungen und Bearbeitungen des Werkes anzufertigen, sofern Sie angemessene Urheber- und Rechteangaben machen, einen Link zur Lizenz beifügen und angeben, ob Änderungen vorgenommen wurden. Das Urheberrecht für Abbildungen kann bei anderen Personen oder Institutionen liegen. Diese fallen nicht unter die Creative-Commons-Lizenz.

Language:: German

Number of digitised pages:: 9

Language | Scripts of material:: ger

Persistent identifier:: 1678894746123

License:: Attribution 4.0 International (CC BY 4.0)

DOI:: https://doi.org/10.57836/tjfs-gs26

Title page

Document type:: Article

Structure type:: Title page

Number of digitised pages:: 1

Abstract

The small format of this Stoning of St. Stephen as well as artistic practices of the time suggest that it was a preliminary work for a larger painting. Indeed, it bears a strong resemblance to the high altarpiece at the parish church in Kirchberg am Wagram. However, that painting has since been identified as a recognized work by Carlo Innocenzo Carlone, whereas the smaller “sketch” bears the signature of Franz Xaver Wagenschön. This calls for an alternative interpretation. A glance at Wagenschön’s known oeuvre reveals that he continually engaged with the elaborations of other masters, drawing in- spiration from these for his own works. In the case of The Stoning of St. Stephen, although the painter largely adopted the composition, he rendered it in his own signature style. His style, in turn, was influenced by the paintings of Martin Johann Schmidt, called Kremser Schmidt, and this is reflected especially in the lighting of the image, indicating that it was
painted between 1770 and 1780. Whether the artist intended to follow this with a large-scale painting cannot be clarified at the present time. The degree of execution and the existence of a signature also suggest an independent work, possibly an addition to the artist’s collection of copies.

Keywords:

Oil sketch – Lower Austria – Carlo Innocenzo Carlone – Kirchberg am Wagram – Late Baroque – Martyrdom – Wagenschön

License

This text is licensed under the Creative Commons Attribution 4.0 International (CC BY 4.0). This license allows anyone to download, reuse, re-print, modify, distribute and/or copy the contributions. The works must be properly attributed to its author(s). You must also include a link to the license, and state whether modifications have been made. Copyright for illustrations may be held by individuals or institutions other than the Belvedere, Vienna, and the author(s). These do not fall under the Creative Commons License.

Metadata: Künstlerische Folgen einer Steinigung. Franz Xaver Wagenschön und seine Vorbilder (Curator's Choice, Nr. 5, 2023)

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